The open wooden joints reveal its very essence: it is not just a structure but a way to
understand the tensions that hold it together and the delicate balance that keeps it standing.
The assembly, crucial in joining and adjusting the timber pieces—a noble, flexible, and resilient
material—forms a metaphor for collaboration.

Chiloé’s living carpentry tradition presents an opportunity to regenerate and reuse an ancestral
technology, revaluing this craft that has been crucial to the development of our culture. It is
about recognizing handcraft as a cognitive process in itself; the challenge lies in connecting this
learning experience through hand and body with an understanding of the vast possibilities that
mechanized assembly offers to architecture. With this goal in mind, a knowledge transfer
workshop was held in Chiloé to pass down the value and techniques behind traditional wood
joinery, bringing together expert carpenters and construction students from different parts of the
island to materialize the same assemblies used for the exhibition prototype. At the same time, a
prototype inspired by these Chilote assemblies was constructed in Venice, incorporating
mechanized cuts to showcase advancements in technique, the possibilities of wood
industrialization, and the benefits in terms of ease of transfer and representation. The project
aims to merge both technologies into a unified experience within the exhibition, challenging
architecture to embrace new techniques without abandoning manual processes and
collaborating across continents.

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The design fosters an ethic of connection—between newcomers and locals, innovation and
tradition, land and sea. At the same time, it awakens empathy for fragile ecosystems and
techniques, mirroring our own fragility as we migrate through time, space, and collaboration.